Revolutionary Grace

What might revolutionary grace look like? How can we snatch radical egalitarianism from the jaws of authoritarianism? In what visions of the past can we find the resources to make a just future?

These seemingly abstract questions could not be more important for our present. We live at a moment when purblind elites are driving the world over the brink of environmental destruction. We need alternative visions of social justice.

As we struggle to come up with a revolutionary subject adequate to the challenges we confront, we are likely to find that the radical social movements of the past offer important inspiration. I was reminded of this recently when I came across Democracia’s amazing Ser Y Durar at the Hirshhorn Museum during a trip to Washington DC. Looking for more info online, I found that the exhibit had in fact been expurgated of some of its more radical political content.

The show features a team of traceurs (practitioners of the street sport parkour). This sport originated in Paris in the 1980s and quickly spread to become a global urban subculture phenomenon. The term comes from the French for “course,” and the movements derive from military drills designed to train soldiers to navigate over and around architectural barriers.

The traceurs have appropriated this military acrobatics and redeployed it in Almudena civil cemetery, built in Madrid in the 1880s for those forbidden internment in Catholic burial grounds, including prominent political progressives, intellectuals, founders of the country’s democratic society in the pre-Franco era, Socialists, Communists, atheists, Jews, and others.

The motto of traceurs, “never stop and never give up,” is echoed by the continuous camera movement, which pauses only briefly on various headstones. Inscriptions such as “Love, freedom, and Socialism;” “Freedom and reason will make you stronger;” “After death there is nothing;” and “To be and to last” connect those resting in peace to the bodies in motion.

A video version of the film that I found online makes some of the radical references more clear:

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